The world of advertising is changing, with brands continuously aiming to produce campaigns that are culturally relevant for today’s younger generation. At Partizan, we’re pioneering tomorrow’s creative movement to push boundaries and explore artistic potential. With the future set firmly in our sight, we’re delighted to introduce Darkroom.
Darkroom is a “platform for emerging talent, a go-to place for agencies and brands to find filmmakers, animators and culturally relevant inspiration,” says Jenny Beckett, Managing Director at Partizan. “It will act as a melting pot for artistic exploration, with Partizan serving equal parts curator and mentor. Darkroom is set to be the showcase for some of today’s most dynamic and talented young directors.“
Born from a desire to showcase young talent, Partizan will provide the directors with effective commercial strategy, lead them in the right direction and ensure they make sensible, educated choices when it comes to accepting work.
The inherent authenticity of Darkroom directors makes it such an exciting space for agencies and brands. It’s not just some idea drafted in the back of a boardroom. These young visionaries are creating something truly relevant – and the industry is taking note.
Take Darkroom director Salim Adam’s content film for Nike - “Lunar Charge”. The film fuses culturally relevant concepts to create a compelling narrative around today’s youth culture. Featuring a Brazilian Afrobeat track, links to the music industry (BBC Radio 1XTRA’s Shy), moody neon hues and cinematic shots of urban life, it coalesces to form an aesthetic lifestyle identity. In fact, Nike hardly features at all. It feels less like an ad and more like a lens into young urban life. The commercial never explicitly sells you on Nike’s products. Instead, it juxtaposes the famous Nike swoosh against the backdrop of modern life in London. It’s gritty, raw and powerfully absorbing. And it paints Nike as an innovative, forward-thinking brand that truly understands youth culture. Salim’s work encapsulates the essence of what makes Darkroom so thrilling: youth-focused campaigns, delivered by and for the younger generation.
Salim agrees, noting: “Being part of a younger generation, you can’t help but be influenced. When I document these things, they come very naturally to me. I think it’s important for agencies to gain input from someone who comes from this world. It really helps the visual aesthetic feel more authentic.”